Was the relaxation the real point?

But does stuff actually break that easy?

Used to skip that aisle... found a perfect vase last week.

The idea that less intense choreography "dilutes the art" sets up a false choice. Good choreography works with the performer's safety, not against it. You can have powerful, artistic staging that uses the whole group smartly, like having backup dancers take over while the main singer hits a big note. It's about smart design, not just lowering difficulty. Forcing a hurt performer to keep going doesn't make the art better, it just risks a worse injury.

Drew's napkin sketch sounds like fancy tech next to my usual method of just trying to remember. I spilled coffee on my last diagram and it looked better than my actual wiring job. Muscle memory is great until you're standing there wondering which wire goes where for the fifth time. Kevin's winging it method just leads to a lot of quiet swearing in a garage.