Tell that to my diagnostic scanner.

Keeping every old jig is just hoarding with a sentimental excuse. That wall of plywood is taking up space that could be used for new projects or better storage. The pencil marks tell a story of the old way, which was mostly just slower and less exact. If the new tool does it better, the old one becomes a museum piece, and my shop isn't a museum.

I used to tell new guys to start on CNC because it seemed faster. Then I watched a trainee try to program a pocket on a CNC without knowing what a climb mill was. He crashed the tool so hard it sounded like a gunshot. That was a five hundred dollar lesson in why you need to feel the cut first. I mean, you can't fix what you don't understand, and a manual machine makes you understand real quick.

My friend Ben tried to make a simple aluminum bracket on a manual mill last year. He spent three whole weekends on it and went through four pieces of stock. The final part was so out of spec his drill press wouldn't even fit through the hole. I totally get what you mean, jamie_carter87, about that kind of abstract art. He said the only thing he really learned was the quickest route back to the metal supply store.

Ever try running one on a two story?